Black Is Beautiful: The Kwame Brathwaite Story – exhilarating record of game-changing photographer

<p><strong>London film festival</strong> <br>Brathwaite’s empowering images of African Americans in the 1960s gave a new generation a fresh template for representation, brilliantly honoured here<br></p><p>There have been some fascinating documentaries about photographers: <a href="https://www.theguardian.com/film/2023/jun/14/tish-review-devastating-portrait-of-an-impassionate-photographer-tish-murtha">Tish Murtha</a>; <a href="https://www.theguardian.com/film/2025/feb/19/i-am-martin-parr-photographer-britain-documentary-review">Martin Parr</a>; <a href="https://www.theguardian.com/film/2014/jul/17/finding-vivian-maier-documentary-review">Vivian Maier</a>. Maybe the movie documentary form is something that naturally comes alive when showcasing particularly vivid still images. Here is another outstanding example, from writer-director Yemi Bamiro, about the remarkable career of Kwame Brathwaite, a photographer, musician and African American activist who was a unique politico-aesthete. With his brother Elombe, he virtually invented the phrase “Black Is Beautiful” in the 1960s by photographing the Grandassa Models in Harlem: young African American women who became the sensational template for beauty, doing away with the usual cosmetic products and the usual white standard of femininity.</p><p>Black Is Beautiful became a radical rallying cry, an inspired three-word prose poem and manifesto for change. Simply to assert that black people were beautiful was a liberating force in art, politics and culture, and Brathwaite became a part of Black power’s pan-Africanist movement by photographing Muhammad Ali before his Rumble in the Jungle fight in Zaire in 1974. He was the exclusive photographer for the Jackson 5’s African tour, and became the house photographer for the Apollo theatre, building an amazing archive of black musicians, and with Elombe was the driv