A city-boy reading of the Sámi artist Máret Ánne Sara’s work | Letters

<p>Readers respond to Jonathan Jones’s Tate Modern review, including the charge that the artworks ‘fail to impose themselves on the venue’s vast space’</p><p>Jonathan Jones’s review of Máret Ánne Sara’s installation at Tate Modern in London completely misses the point (<a href="https://www.theguardian.com/artanddesign/2025/oct/13/maret-anne-sara-turbine-hall-review-tate-modern-london">13 October</a>). The land the Sámi live in is “quite big”, just as the Turbine Hall is in Jones’s words, but the Sámi do not take over the entirety of their landscape. They live within it.</p><p>The “fort” is not a place to “hide”. That is a city-boy reading rather than a deeper understanding of the ancient methods that Sámi families use for herding reindeer in the vastness of their lands, combined with the political realities that surround them. Jones is too close to playgrounds and not close enough to the realities of the Sámi and northern political history.</p> <a href="https://www.theguardian.com/artanddesign/2025/oct/17/a-city-boy-reading-of-the-sami-artist-maret-anne-saras-work">Continue reading...</a>