‘It’s not just a book, it’s a window to my soul’: why we’re in love with literary angst
<p>Why did an obscure Dostoevsky novella sell 100,000 copies in the UK last year? And why are TikTokers raving about a 1943 Turkish novel? The way young people are discovering books is changing – and their literary tastes reflect our times</p><p>The sales patterns for classic novels are normally a fairly predictable business. “Every year it’s the same authors,” says Jessica Harrison, publishing director for Penguin Classics UK. “Austen is always at the very top, and then all the school ones: Orwell, An Inspector Calls, Of Mice and Men, Jane Eyre.”</p><p>But last year it was different. Penguin’s bestselling classic by far was a <a href="https://www.theguardian.com/books/2024/dec/17/white-nights-fyodor-dostoevsky-social-media-instagram-booktok-tiktok">little-known novella by Fyodor Dostoevsky</a>. White Nights sold more than 100,000 copies in the UK in 2024. It is an angsty story of impossible love, run through with characteristic Dostoevskian gloom. A young man and woman meet on a bridge in St Petersburg on consecutive nights: his love for her is unrequited; she is despairing because the man she really loves has ghosted her. The pleasure the young man takes in her company is shadowed by the knowledge that it can never be permanent.</p> <a href="https://www.theguardian.com/books/2025/nov/02/its-not-just-a-book-its-a-window-to-my-soul-why-were-in-love-with-literary-angst">Continue reading...</a>
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The Guardian