Add to playlist: the spiky, playful free jazz of Laura Ann Singh and the week’s best new tracks

<p>A rowdy debut departs from Singh’s American bolero work to revel in the chaos of atonal scrapes, cymbal splashes, wonky horns and raucous vocals </p><p><strong>From </strong>Richmond, Virginia<br><strong>Recommended if you like </strong>Cécile McLorin Salvant, Tomeka Reid, Ornette Coleman<br><strong>Up next </strong>Debut album, Mean Reds, released 24 October</p><p>As the co-founder of American bolero group Miramar, vocalist Laura Ann Singh has spent the past five years minting a warm, nostalgic analogue sound, rich with Spanish-language harmonies. Her upcoming spiky solo debut, Mean Reds, disrupts that entirely. Supplanting the swaying Latin rhythms of bolero for a free jazz quartet, these eight tracks revel in atonal scrapes, cymbal splashes, keening horns and Singh’s lively vocals. Referencing avant garde pioneer Ornette Coleman’s free form improvisations as much as Joni Mitchell’s emotive lyricism, the result is a rowdy debut that launches Singh as one of the more distinctive new voices in jazz.</p> <a href="https://www.theguardian.com/music/2025/oct/24/add-to-playlist-the-spiky-playful-free-jazz-of-laura-ann-singh-and-the-weeks-best-new-tracks">Continue reading...</a>