Ukrainian Lessons by Charlotte Higgins review – when art and war collide

<p>A vivid and hopeful study of how culture endures in the midst of extreme violence</p><p>Towards the end of her subtly piercing book about art in wartime, Charlotte Higgins recounts an autumn visit to Kharkiv, Ukraine’s second city, in the north-east of the country, a short drive from the Russian border. In a tranquil park, she sees a man standing in a stream, making stones balance on top of each other in a teetering tower – “a metaphor of life in that city,” she writes, “that would have seemed too obvious for a novel”.</p><p>Still, as a good novelist would, Higgins doesn’t seem to beg telling details from a place so much as have them leap to her open eye and ear. The cartoons a boy is watching that fall silent in a power cut, allowing the distant boom of explosions on the frontline to be heard. A cityscape tattooed on a young poet’s arm that cuts off suddenly where skin from his leg was grafted after he was torn up by shrapnel. Cataracts of larkspur, as Higgins describes them, in a field in the frontline Donbas region, “pouring down the hill, pooling at the bottom into a great lake of blooms … Larkspur thrives on ground where there has been recent disturbance.”</p> <a href="https://www.theguardian.com/books/2026/aug/18/ukrainian-lessons-by-charlotte-higgins-review-when-art-and-war-collide">Continue reading...</a>