The Uncool by Cameron Crowe review – inside rock’s wildest decade

<p>From shadowing a cocaine-addled David Bowie to winning over Joni Mitchell, deliciously readable tales from the director of Almost Famous</p><p>Cameron Crowe spent his youth being in the right place at the right time. In 1964, aged seven, he was taken by his mother to see “a kid named Bob Dylan” play a local college gym. By the age of 14, living in San Diego, he was writing record reviews for a local underground magazine whose main aim was to bring down Richard Nixon. Shortly after that, he started interviewing the bands of the day as they came through California – first Humble Pie for <a href="https://www.theguardian.com/music/2022/jun/01/creem-gave-you-a-ground-level-excitement-about-music-the-1970s-rock-magazine-makes-a-comeback">Creem</a>, and then the Eagles, the Allman Brothers Band and Led Zeppelin for Rolling Stone.</p><p>Crowe previously fictionalised his story in the 2000 film <a href="https://www.theguardian.com/film/2020/sep/14/almost-famous-at-20-cameron-crowe-warm-hearted-ode-to-music-journalism">Almost Famous</a>, which he wrote and directed. His lyrical and compulsively readable memoir The Uncool is bookended by the opening of a musical version, which coincides with the death of Crowe’s mother Alice whose aphorisms, including “Put some goodness in the world before it blows up”, are scattered throughout the book. Alice insisted that Crowe skip two school grades, driving his precocity; she was also dead against rock’n’roll on account of its unbridled hedonism. When Crowe asks her what Elvis did on The Ed Sullivan Show that was so subversive he had to be filmed from the waist up, she “clinically” replies: “He had an erection”.</p> <a href="https://www.theguardian.com/film/2025/oct/20/the-uncool-by-cameron-crowe-review-inside-rocks-wildest-decade">Continue reading...</a>