Beethoven 5 Vol 4: Salvatore di Sciarrino album review – classical weight, contemporary subtlety

<p><strong>Jonathan Biss/Swedish Radio SO/Omer Meir Wellber<br>(Orchid Classics)</strong><br>Biss pairs Beethoven’s fourth concerto with Sciarrino’s 21st-century miniature, creating a programme that is thoughtful and vividly expressive<br></p><p>Ten years ago, immersed in his project to record all of Beethoven’s piano sonatas, <a href="https://www.jonathanbiss.com/">Jonathan Biss</a> began commissioning new works to pair with each of the composer’s five piano concertos. His recordings of these with the Swedish Radio Symphony Orchestra reach their penultimate volume with the Concerto No 4 and <a href="https://www.salvatoresciarrino.eu/index.php?lan=eng">Salvatore Sciarrino</a>’s 15-minute Il sogno di Stradella, conducted by Omer Meir Wellber.</p><p>Biss’s tempos are unhurried in the concerto, and while his playing fizzes when Beethoven asks it to, this exuberance isn’t a constant undercurrent; the first movement sometimes feels a little episodic. Yet the tension in the middle movement between the belligerent orchestra and the serene piano is highly effective, and the finale, genial without being playful, has enough weight to balance it out. It’s a characteristically considered, thoughtful performance.</p> <a href="https://www.theguardian.com/music/2025/oct/10/beethoven-5-vol-4-salvatore-di-sciarrino-review-jonathan-biss">Continue reading...</a>